photographic collages in yellow box frames, dimensions variable
images captured 2022, collages first exhibited 2023

These collaged landscapes suggest bindweed as a way of viewing society’s attitude to disability and chronic illness, drawing on its looping, twining, anti-clockwise growth as a living metaphor for the emerging theory of crip time - a concept arising from disabled experience that addresses ways that the disabled and chronically ill experience time and space differently to others.

Exhibited in Here, Now, Studio Voltaire, London